Category: DOC TALKS

Andrea Bussmann and Nico Pereda’s Tales of Two Who Dreamt is set in a housing block in Toronto. A Roma refugee family is hired as actors to work on a fiction film.  We see them rehearsing stories of their past while reflecting on the upcoming hearing about their residency status. The stories are spun into legends, whereby the boundaries between reality and fiction, and the documented and the performed no longer apply.  There’s the tale of the dog left to starve in an empty flat, the tale of the lawyer’s child, and the tale of the boy who woke up to find himself transformed into a bird. You’d think all these stories could make for a mesmerising film and you’d be right, but what sort of film would it be? An observational documentary, a family portrait they themselves help mould, a Kafkaesque fairy story, the making-of the same? But there are no clear explanations here, for it is also a place of infinite shifting boundaries. If you want answers, you might as well ask the devil.

Nicolás Pereda is a filmmaker whose work explores the everyday through fractured and elliptical narratives using fiction and documentary tools. His work has been the subject of more than 20 retrospectives worldwide in venues such as Anthology Film Archive, Pacific Film Archive, Jeonju International Film Festival and TIFF Cinematheque. He has also presented his films in most major international film festivals including Cannes, Berlin, Venice, Locarno, and Toronto, as well as in galleries and museums like the Reina Sofía in Madrid, the National Museum of Modern Art in Paris, the Guggenheim and MOMA in New York, and in television stations such as HBO, Turner, MVS, Netflix, and ISat. In 2010 he was awarded the Premio Orizzonti at the Venice Film Festival.

GRAND PRIX – DOCLISBOA – City of Lisbon Award for Best International Competition Film

GRAND PRIX – DOXA Doc. Film Festival Vancouver – Best Feature Documentary Award

The film’s attractively verdant visuals are layered with a variety of voices exploring the forest’s past and present, with particular focus on its role as a commune for partisans during WWII. – Matt Turner, The Brooklyn Rail

Tactfully, Soroka keeps subjects at a distance in the frame, mostly using off-screen interviews as voiceover, side-stepping both conventional technique and creating a sort of unified disembodied voice of the setting. – Adam Cook, MUBI

Drifting through the densely forested landscape of southern Slovenia—GREETINGS FROM FREE FORESTS, like a lifting fog, reveals a refuge of embedded historical memory. The film travels alongside the testimonies of local hunters, foresters, cavers, and foragers among others—orbiting around an absence left by radical struggle after it has come to fruition and since faded. During WWII, this forest served as a sanctuary for the Partisan Liberation Front, who were resisting the Fascist occupation of Yugoslavia. Remnants of this event can still be found throughout the forest in various states of decay, but also within images that sought to preserve the revolution’s emancipatory energy for future generations; images now stored in an underground film archive buried within the forest itself, depicting both the violence and the hope that came with radical change.

Ian Soroka (b. 1987) works in non-fiction forms of film and of Colorado in Boulder, in Prague at FAMU, and completed an M.S. in Art, Culture and Technology at MIT. Ian is a MacDowell Colony Fellow, a Princess Grace Foundation-USA Award recipient, and a Fulbright Fellow in Slovenia, where he was a guest researcher at the Slovenian National Film Archive and Cinematheque. His work has screened internationally in festival, gallery and museum contexts including: DocLisboa, Art of The Real, The Doc’s Kingdom Film Seminar, Rencontres Internationales, Dokufest, DokFest München, and Kinoteka, Ljubljana. Ian is from western Colorado and is based in the San Francisco Bay area.