The Documentary Media Studies Graduate Certificate will be on hiatus in Fall 2024-Spring 2025 semesters.
We encourage those interested in The New School’s 2-year Masters Program in Media Studies to apply for admission for Fall 2024 and to pursue the Documentary Certificate in their second year of study. Applications to the Documentary Certificate for students seeking to enter in Fall 2025 will open in September 2024.
We’re thrilled to announce that several Doc Studies program alumni are screening their films this November at DOC NYC, America’s largest documentary festival! Rite of Passage by Talha Jalal (Class of 2023) is an official selection of the shorts programs, and Through a Glass Eye by Lola Granger-Jourdan (Class of 2023) was competitively selected for DOC NYC U. Both short films were previously presented during our Doc Studies annual showcase, Truth Be Told 2023. Mahdokht Mahmoudabadi (Class of 2018) is the lead editor of the feature film Three Promises, included in the official selection of DOC NYC. Congratulations to our alums!
Learn more about their backgrounds, the films’ synopses, and screening details below.
Continue reading “Doc Studies Alumni at DOC NYC 2023!”
Each year, Sundance Institute provides unrestricted grant support to a small number of filmmakers who have ongoing documentary projects in various stages. Of the 35 projects, 5 are in development, 15 in production, 10 in post-production and 5 are in the process of creating social impact campaigns.
“This year marks the 20th anniversary of the Documentary Film Program (DFP), which throughout its time has been a vibrant and impactful global resource for independent non-fiction storytelling. This granting cycle’s recipients have roots in 31 countries, with 57% of submissions coming from outside the United States. Among the 14 U.S. films granted this year, all are helmed by at least one BIPOC director and/or lead producer; two of these projects are directed by Indigenous filmmakers. Internationally, the Documentary Film Program prioritizes supporting artists living and working in countries that lack an adequate infrastructure of support for independent film and/or regions where freedom of expression may be at risk. The 21 international projects supported by the Fund in this cycle fully reflect such commitment.” – Sundance
Congratulations to the following Doc Studies alums who have works in progress and received grant support. Learn more about their documentaries below and check out the full list of recipients here.
Igor is an Emmy-nominated BAFTA-winning filmmaker who co-produced feature-length documentary Welcome to Chechnya (Sundance ‘20, Berlinale ‘20). He is a 2022 Sundance Producing Fellow and was named by DOC NYC as one of the “40 Under 40” working in documentary. Igor believes that cinema is not a way to escape reality but a way to embrace it with all its peculiarities and its darkness. Most recently, Igor worked on a short documentary called Race to Save the World. Narrated by Oprah Winfrey, the film tells the story of the worldwide cooperation involved in the race to make the vaccine. It was simulcast primetime across the major networks as part of Global Citizen’s VAX LIVE concert. Previously, Igor directed two award-winning shorts, has been awarded a Davis Peace and Diplomacy grant at the International House in NY. Igor is a member of the Academy of Television Arts & Sciences and an alumnus of NextDoc. (Website)
Director & Co-Producer: Agniia Galdanova
Synopsis: Gena, a queer artist from a small town in Russia, dresses in otherworldly costumes made from junk and tape, and protests the government on the streets of Moscow. She stages radical performances in public that become a new form of art and activism – and put her life in danger.
Alexis is a documentary filmmaker and educator based in New York City. Her work largely centers around community and how we find meaning in people and place. She is the co-creator, co-director and producer of Neighborhood Slice, a documentary series that tells the stories of longtime New Yorkers who’ve held onto their little corner of the city despite fast-growing gentrification, broadcast on public television. She produced and directed the series 9.99, for which she won a NY Emmy. Her short documentaries Doctor Kong, Coney Island’s for the Birds and Ethan 2018 all screened at festivals worldwide, and were broadcast on the Documentary channel and online as a Vimeo Staff Pick. She is currently in post-production on two feature length documentaries, Dear Thirteen and Fire Through Dry Grass. Over the past decade she has developed filmmaking programs, implemented curricula and taught students all around NYC. In 2019 Alexis was a visiting artist for OPEN DOORS, where she met the Reality Poets and began working with Jay. She holds a BA from Brown University and an MA in Media Studies from The New School. (Website)
Co-Director: Andres “Jay” Molina & Co-Producer: Jennilie Brewster
Synopsis: On a tiny island in NYC, a group of Black and brown disabled artists fight COVID-19 and the city to protect the lives of 500 vulnerable nursing home residents.
Follow Igor and Alexis to keep up with their ongoing projects and achievements! Catch the premiere of Alexis’ feature documentary, “Dear Thirteen”, at DOC NYC this coming week. Congrats as well to Igor for making it onto DOC NYC’s 40 Under 40 list this year, which highlights emerging talent in the documentary world.
We’re excited to announce that two of our Doc Studies program alums, Alexis Neophytides and Trina Rodriguez, have worked together on a feature documentary titled, Dear Thirteen, that will have its world premiere at DOC NYC this November. Alexis and Trina have been long time collaborators since they met as students at The New School. Prior to this film, they co-created, produced, and directed Neighborhood Slice among other projects. Learn more about their backgrounds, the film’s synopsis, and screening info below.
“From a team of artists attuned to the power of images… Dear Thirteen bravely suggests that looking back just might be the way ahead.” – Film Threat
Alexis Neophytides is a documentary filmmaker and educator based in New York City. Her work centers around community and how we find meaning in people and place. Her short documentaries Doctor Kong, Coney Island’s for the Birds and Ethan 2018 (a Vimeo Staff Pick) screened at festivals worldwide. Dear Thirteen is her first feature length documentary, and she is currently in post-production on her second feature, Fire Through Dry Grass. Her work has been supported by ITVS, the Ford Foundation, Field of Vision, IDA, Perspective Fund, Fork Films, the New York State Council on the Arts and the NYC Women’s Fund. She is also one of this year’s Sundance Institute Documentary Film Grantees.
Trina Rodriguez is a filmmaker living in Queens. Trina produced the feature-length documentary High Tech, Low Life, about citizen journalists in China that premiered at the Tribeca Film Festival and aired on the acclaimed PBS series, POV. She edited Black in America: Black and Blue, a feature documentary about the impact of aggressive policing tactics on the lives of young black men, which aired on CNN. Her short documentary Our Lady Queen of Harlem which she filmed, directed and edited, premiered at MoMA’s Documentary Fortnight and is distributed by Third World Newsreel. Her work has appeared in Newsweek, New York Magazine, on PBS and a variety of nonprofit and documentary broadcast platforms.
“Equal parts funny and emotionally affecting…. it’s a refreshing reminder in a world community that seems increasingly cynical.” – Film Threat
Dear Thirteen weaves together the stories of nine thirteen-year-olds from France, Australia, Mexico, Nepal and the US. Video diaries and candid interviews reveal how global issues are shaping and being shaped by young people: In Australia Evie, a trans girl, begins her medical transition with confidence and optimism; in France Oren prepares for his Bar Mitzvah while reckoning with prejudice in his hometown; in Brooklyn Madeline finds joy and creativity on Tik Tok while contending with the pressures of the pandemic; in Mexico Fany dreams of breaking the mold as a female boxer while navigating her parents’ separation. The film’s score by Dan Deacon underlines the complexity and the beauty in transition and finding adulthood today.
The film will have two in-person screenings at Cinepolis Chelsea. Currently, only rush tickets are available for the premiere on Sunday, November 13th at 2:15pm, which will be followed by a Q&A with Alexis Neophytides, Trina Rodriguez, and the film subjects (Madeline, Awa, and Julius). The director would love to see support from The New School community at the second screening on Tuesday, November 15th at 11:45am. The film can also be viewed online between November 14th – 27th.
As a Doc Studies community member, please use the code “DOCNYC_PTNR_22” for $3 off a ticket! For further updates about Dear Thirteen, check out the film’s website, Facebook, and Instagram.
Welcome to Rockford, Illinois, in the heart of Rust-Belt America, home to filmmaker Bing Liu. With over 12 years of footage, Liu discovers connections between two of his skateboarder friends’ volatile upbringings and the complexities of modern-day masculinity. As the film unfolds, Liu captures 23-year-old Zack’s tumultuous relationship with his girlfriend as it deteriorates after the birth of their son, and 17-year-old Keire struggling with his racial identity as he faces new responsibilities following the death of his father. While navigating a difficult relationship between his camera and his friends, Liu weaves a story of generational forgiveness while exploring the precarious gap between childhood and adulthood.
Bing Liu is a Chicago-based director and cinematographer who Variety Magazine listed as one of 10 documentary filmmakers to watch. His 2018 critically acclaimed documentary Minding the Gap has earned a total of 28 award recognitions since its world premiere at the 2018 Sundance Film Festival, where it took home the Special Jury Award for Breakthrough Filmmaking. He is also a segment director on America To Me, a 10-hour documentary series examining racial inequities in America’s education system, set to premiere on Starz. His most recent film, All These Sons, has screened at IDFA, Doc10 and the 2021 Tribeca Film Festival.
Presented by the Graduate Certificate in Documentary Media Studies
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Filmed in the dense streets and neighborhoods of Ambedkar Nagar in New Delhi, Yeh Freedom Life (This Freedom Life) (2019, 70 min) tries to keep up with its protagonists, as they maneuver erratic and unpredictable love. One of them works at a local beauty parlour, the other runs the family kiosk at a crowded intersection. They are surrounded by a cacophonous city; they are both in love with other women. The film stays with them and their desire for ‘freedom lives’, outside society and family’s constant scrutiny and sanction. But this ‘freedom life’ also leaves them vulnerable to the precariousness of love, when it refuses such constraints.
Priya Sen & Nicolás Grandi‘s Faasla (2020, 50 min) is a conversation in epistolary form using video, an exchange over a distance of countries and time zones, and at the time of a global pandemic which has meant a sudden re-ordering of our lives as we knew it. “We speak of distances, of intimacies we can no longer access, of the state of suspended freedoms, of memory, images and sensations. Our bodies themselves have become receptacles of these uncertainties, the archives we have haphazardly been building over the years, are having to speak for us. Maybe this dialogue is between the archives themselves, what we have seen, what we see now.”
Priya Sen is a New Delhi based filmmaker and artist who works with nonfiction forms across film /video, sound and installation. Her films explore forms for tenuousness, ambiguity and un-settling, as modes of navigating urban lives and experience. Sen’s work has been presented at the Flaherty Seminar 2019, among other festivals and venues that include the BFI London Film Festival, Forum Expanded Berlinale, Bangalore Queer Fest, Experimenta, Images Festival Toronto and the Dharamshala International Film Festival.
Presented by the Graduate Certificate in Documentary Media Studies
School of Media Studies
The New School
https://newschooldocstudies.wordpress.com/
http://www.newschool.edu/public-engagement/documentary-media-graduate-certificate/
“Godmilow’s film re-makes Farocki’s film… in order to study it, to take apart its various phases, to understand it, to think about it…. It is an act of remembering…. Film which can break reality into pieces… can also demonstrate for us the processes of memory, of re-thinking the past and turning it—not into nostalgia—but into a lesson for the future.“
—Tom Gunning
“A bracing exercise in political filmmaking and pedagogy… resurrecting the Brechtian frontal attack, both on an economic system intent on the manufacture of death and on the complacency of documentary realism.”
—Michael Renov
Ever since Jill Godmilow began making documentaries in 1966, her work has broken barriers. Her early feminist films helped pave the way for more films made by, for, and about women. In her groundbreaking Far From Poland she explored the rise of the Solidarity movement at a distance, incorporating an unprecedented array of experimental approaches—staging, reenactment, interviewing, archival films—and thereby fostering a post-realist movement within documentary filmmaking. Her criticism of documentary’s “pornography of the real” has won her friends and enemies, challenging left liberal documentary to re-think its strategies. What Farocki Taught (1998) is one of her most controversial films, a re-make and interrogation of Harun Farocki’s Inextinguishable Fire about Dow Chemical’s creation of napalm B during the Vietnam War. Since her retirement from teaching at Notre Dame University, she has been busier than ever, producing and directing new films and writing a book for students about the documentary. Her recent short film, On the Domestication of Sheep (2019), is a quirky surprise—an animated film that delivers a blow to gendered capitalism with ironic wit and powerful punch. Godmilow remains tireless in her efforts to keep the debate over documentary ethics as stimulating as ever. She will discuss these two short films, radically different in style and tone from each other, and then speak about her new book and film-in-progress.
Jill Godmilow is an internationally known, award-winning independent filmmaker who has been producing and directing nonfiction and narrative work on feminist, gay, labor, and art issues for decades. In 2003, her Academy Award-nominated feature Antonia: A Portrait of the Woman was added to the National Film Registry at the Library of Congress. She is Emerita Professor at the University of Notre Dame where she taught film production and critical studies courses in the Department of Film, Television & Theatre for twenty years. She is probably best known for her radically deconstructive approach to the documentary and juxtaposition of fact and fiction. In 2020 she began work on a new film, For High School Students—Notes from the Vietnam War. She has just finished writing Kill the Documentary—A Letter to Filmmakers, Students and Scholars, forthcoming from Columbia University Press.
Please join us for this online screening and Q&A, hosted and moderated by Deirdre Boyle, Associate Professor in the School of Media Studies at The New School.
Presented by the Graduate Certificate in Documentary Media Studies
@tnsdocstudies
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School of Media Studies
The New School
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http://www.newschool.edu/public-engagement/documentary-media-graduate-certificate/
http://www.newschool.edu/public-engagement/media-studies/
http://www.truthbetoldfilmfestival.com
“Documentary, personal essay, historical reconstruction, film poem, therapeutic exercise—”The Missing Picture” is something of all of these.“
–Jonathan Romney, Film Comment
“The audacity of “The Missing Picture” … is equaled only by its soulfulness.”
–Manohla Dargis, The New York Times
Rithy Panh is Cambodia’s leading filmmaker and foremost chronicler of the genocide that decimated his nation when Pol Pot tried to create an agrarian utopia through terror. Acclaimed for his groundbreaking documentaries about perpetrator guilt, Panh’s best known film is a very personal one, his Academy Award-nominated memoir, The Missing Picture. His quest to find a missing picture is, on a literal level, a search for footage shot by a Khmer Rouge cameraman, but the “missing picture” is a conceit that evokes all that is absent and inaccessible for him. It took years for him to assemble an archive of propaganda films that expose Khmer Rouge ideology and to envision clay figurines and dioramas that depict horror without turning viewers into voyeurs and his film into what Jill Godmilow has called “the pornography of the real.” History, memory, and art all come together in a film that demonstrates the power of art to respond to genocide with beauty and wisdom.
Panh was 13 when his family was evacuated to rural Cambodian where all but one of them died of starvation, over-work, disease, and despair. Rithy survived and escaped to a refugee camp and then exile in France. Educated at l’IDHEC, the prestigious national film school in Paris, he returned to Indochina where he has made more than 20 award-winning feature films over the past 30 years. Although he has collaborated with cinema luminaries like Angelina Jolie and Isabelle Huppert, Panh considers himself essentially a documentary filmmaker. He is enigmatic, unpredictable, and indefatigable in his quest to heal his nation and make new films.
Associate Professor of Media Studies Deirdre Boyle has taught at the New School for over 40 years. She is the author of the forthcoming Ferryman of Memories: The Films of Rithy Panh (Rutgers University Press). Her essays on Panh’s groundbreaking films led her to step back to examine his entire oeuvre, which took her to Phnom Penh, Siem Reap, Geneva, and Toronto and immerse herself in the cinema of a brilliant but haunted artist. Victor Torres Rodriguez is Deirdre’s research assistant and an invaluable editor and first reader uniquely qualified to interview her about Panh’s work. He joins a terrific group of graduate assistants, colleagues, and friends who have contributed their support and knowledge about colonialism, genocide, and trauma to Ferryman of Memories.
Presented by the Graduate Certificate in Documentary Media Studies
@tnsdocstudies
Doc Studies @ Instagram
School of Media Studies
The New School
https://newschooldocstudies.wordpress.com/
http://www.newschool.edu/public-engagement/documentary-media-graduate-certificate/
http://www.newschool.edu/public-engagement/media-studies/
http://www.truthbetoldfilmfestival.com
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